Alma Tadema
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Alma Tadema Museum
8 January 1836 – 25 June 1912. Most renowned painters.

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johann melchior wyrsch
Portrait of Madame Marie Joseph Francoise Hursule de Boquet de Courbouson

ID: 78430

johann melchior wyrsch Portrait of Madame Marie Joseph Francoise Hursule de Boquet de Courbouson
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johann melchior wyrsch Portrait of Madame Marie Joseph Francoise Hursule de Boquet de Courbouson


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johann melchior wyrsch

johann melchior wyrsch (1732-98) was born in buochs, switzerland. in 1753 he went to rome to study with gaetano lapis and then at the academie francaise.  Related Paintings of johann melchior wyrsch :. | Louise de Broglie, Countess d Haussonville | Ritratto di Maria Margherita di Savoia all'eta di sei anni | The Farewell of Telemachus and Eucharis | Hegyl to | The North Country |
Related Artists:
Charles De Groux
painted The drunkard in 1853
Mauve, Anton
Dutch, 1838-1888 Dutch painter. He came from a large family of clergymen in the province of North Holland. At the age of 16 he was apprenticed to the animal painter Pieter Frederik van Os (1808-92): animals (especially sheep, but also cows and horses) became Mauve's preferred theme. He then trained for a few months with Wouterus Verschuur, who gave him his love of horses, in the style, at least, of Paulus Potter and Philips Wouwerman.
Sir William Beechey
1753-1839 British English painter. He was trained as a lawyer before entering the Royal Academy Schools, London, in 1772. He is thought to have studied under Johan Zoffany, and his earliest surviving portraits are small-scale full-lengths and conversation pieces in Zoffanys manner (e.g. The Custance Conversation Piece, c. 1786; priv. col.). Beechey first exhibited at the Royal Academy in 1776. In 1782 he moved to Norwich, where he gained several commissions, but he was back in London by 1787. In 1789 he exhibited a portrait of John Douglas, Bishop of Carlisle (London, Lambeth Pal.) that is remarkable for its facility of handling. Beechey would occasionally paint similarly inspired works, but his career is marked by a succession of unflamboyant but competent portraits in the tradition of Joshua Reynolds.






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